Oh, boy. Here we ago again. The fourth reiteration of “Nikita”, a juvenile delinquent taken into the folds of a secret government agency and turned into a cold-blooded assassin extraordinaire! has premiered on television…again…
Of course, the 1990 original (and best) has already been covered, and I refuse, absolutely refuse, to discuss the 1993 American remake, or it’s bastard-step-sister, the 1997 television series. Because, really, they were poor and unsatisfying imitations of the French classic, so they do not bear mentioning let alone any sort of analysis. That being said, let’s just get on to the new girl in town.
So Nikita is back. She is Asian-American and embodied by the martial arts star Maggie Q. That alone is enough to spike my interest since I really liked her character in the severely underrated Mission Impossible 3. Unfortunately, it seems the show is heading in the direction of sexed-killer-fembottery and you need only to glance at the promotional poster to ascertain that. The plot, this time, picks up three years after Nikita leaves/escapes the agency and shows her as a woman returned, scorned, and hellbent on revenge.
In the film versions, Nikita leaves not only the agency, but leaves behind her boyfriend as well because she sees herself as dangerous, damaged goods and beyond redemption. And I liked this ending because it doesn’t tie everything up with a pink bow, white wedding, and a house in the ‘burbs. Nikita is a messy character, she has enough control to take a life but no control when it comes to managing her own affairs. So, I rather dislike Nikita 4.0 because now the boyfriend has been killed by “Division” and Nikita wants to avenge not only his death but avenge her perceived ruin life, and save those in the evil agency’s evil clutches.
Now to me, this flattens Nikita, makes her boring and predictable. The whole “girl-meets-boy, boy-gets-killed, girl-gets-revenge” plot is tired and played out. Been there. Done That. Bought the T-Shirt. What made the original Nikita so interesting is that she really didn’t have a problem with the killing as much as she had problems between managing her day job and managing her cover. And that’s interesting. Why not run with that? Oh yeah, because that, too, has already been done…
Have Nikita return simply because she bored and she can. Or because she wants to take over. Or because she’s out of her ever-livin-gourd. The impetus of the dead boyfriend cheapens the original little sociopath we have come to love. That, and it rips off another girl-gone-rogue show, ALIAS, big time. And the bit about the planted protegé/mole? Really? I’m not hopeful of that plot element, I guess we’ll just have to see where it goes.
But I think this issue with Nikita and her new-found nobility is an extension of this blog’s last post. When it comes to the dames, popular culture portrays them as the Madonnas or the Whores with the heart of gold. Mass media, and maybe people in general, are not prepared to see women as unconscionable killers. Too bad, because if you want to do something fresh with this character, or the personality of an assassin, then you need to explore that dark side no matter how ugly or uncomfortable it may be.